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1978 single past Rose Royce

"Love Don't Live Here Anymore"
Rose royce love dont live here anymore.jpg

Artwork for Dutch release
Unmarried by Rose Royce
from the anthology Strikes Again
B-side "Do It, Do It"
Released November 11, 1978
Recorded 1978
Genre Soul
Characterization Whitfield Records
Songwriter(southward) Miles Gregory
Producer(south)
  • Norman Whitfield
  • Paul Buckmaster
Rose Royce singles chronology
"I'chiliad in Love (And I Love the Feeling)"
(1978) 		"Love Don't Live Hither Anymore"
(1978) 		"Start Come, Showtime Serve"
(1979)

"Love Don't Live Hither Anymore" is a song written past Miles Gregory and originally recorded by Rose Royce. It was produced by former Motown songwriter and producer Norman Whitfield for Whitfield Records. Lead vocals were sung by Gwen Dickey and the song was released as the second single from their third studio album Strikes Again. The song was developed as a result of producer Whitfield's involvement to work with Paul Buckmaster, the British arranger and composer. Together they asked songwriter Miles Gregory to write a song for them. Gregory's undergoing medical care for his deteriorating physical health became the inspiration behind the vocal. "Love Don't Live Here Anymore" incorporated the utilise of the Electronic LinnDrum auto, and was 1 of the first songs to finer utilize the sound reverbs of the instrument. The vocal was mainly recorded at music contractor Gene Bianco'due south firm, where Dickey was present during the recording.

Later on its release, the vocal was critically appreciated, but was only moderately successful commercially. It reached a top of 32 on the Billboard Hot 100 and five on the Hot Black Singles chart. Information technology achieved its highest position in both New Zealand and the United kingdom of great britain and northern ireland, where it reached number two. "Honey Don't Live Hither Anymore" has been covered past a number of artists, including Madonna, Morrissey–Mullen, Jimmy Nail, and Faith Evans. Madonna'due south version was included in her second studio album Like a Virgin (1984), and it was the idea of Michael Ostin, the head of the A&R department of Warner Bros. Records, that Madonna record a cover version of the song to include in the album. A remix of Madonna's comprehend was included in her 1995 ballad compilation album Something to Remember.

The original and the remixed version of the Madonna vocal differ in that the latter uses more classical instruments. The 1995 version also received a number of club remix treatments. Critics were not impressed with the version nowadays in Similar a Virgin, calling information technology "awful", while they warmed to the version present in Something to Retrieve. Withal, it was a commercial disappointment, reaching a peak of only 78 on the Billboard Hot 100. Information technology was promoted past a music video shot past Jean-Baptiste Mondino, which portrayed Madonna in an empty suite of an abandoned hotel, and was shot in a single take.

Background and music [edit]

Producer Norman Whitfield had always wanted to work with Paul Buckmaster, the British arranger and composer. 1 24-hour interval he called Buckmaster and invited him to work on some recordings he had finished.[one] After coming together, they decided to contact songwriter Miles Gregory to employ one of his songs for Whitfield'southward record group Rose Royce. Buckmaster found that Gregory was under medication from overuse of drugs and "was in considerable discomfort, if not in outright pain. He didn't write a song and trip the light fantastic virtually his pain, but I remember him sitting at the piano and wincing. So earlier jumping on the thing that Miles was merely indulging himself and writing, one has to retrieve that the guy was in a lot of pain."[1] Nevertheless, Whitfield and Buckmaster encouraged Gregory to write the song and the result was "Love Don't Live Hither Anymore", inspired by Gregory's own state of affairs and his deteriorating physical health.[ane] [ dubious – discuss ]

"Love Don't Live Here Anymore" incorporated the use of the Electronic LinnDrum machine, and was one of the first songs to effectively employ the audio reverbs of the instrument. LinnDrum had been used sparingly in their previous single "Do Your Dance", but in "Love Don't Live Here Anymore" its use was more spontaneous, which Dave Thompson, author of Funk noted every bit if "it nearly duetted with Dickey, creating one of the nigh distinctive records of the year—and ane of the near imitated of the historic period."[2] The vocal was mainly recorded at music contractor Gene Bianco's firm, where Rose Royce atomic number 82 singer Gwen Dickey was present during the recording. Buckmaster recalled: "I was over at [Cistron'due south] place nearly every day with Norman, and some days I stayed away to write, or to mix the music. Gene had given me the keys to his apartment, and too permit me use the piano to tape the song. I didn't want to work on at Miles' because his piano was falling to bits."[1]

Reception [edit]

Kenny Colina from The San Diego Union-Tribune said that the song "was a lasting impression of Rose Royce's brilliance as a group" and it proved that disco and R&B soul music was not dead."[3] Frederick Douglas from The Baltimore Sun complimented the song saying that "with their soul ballad 'Love Don't Live Here Anymore', Rose Royce is poised to take their place in the musical landscape as the greatest soul group."[4] Bob Kostanczuk from Mail service-Tribune listed "Beloved Don't Live Hither Anymore" every bit Rose Royce'southward greatest song.[5] Jim Mortimer from Deseret News felt that "Love Don't Live Here Anymore" was a perfect example of how gospel and soul music can be clubbed together and complimented producer Buckmaster.[6] Shannon Kingly from Los Angeles Daily News felt that "Love Don't Live Here Anymore" is "a tad flake overrated, and is total of shouting."[vii] "Dearest Don't Alive Hither Anymore" debuted at 91 on the Billboard Hot 100, and made a ho-hum climb, ultimately reaching a peak of 32.[8] It was more than successful on the Hot Blackness Singles chart, where it reached five, and stayed at that place for four weeks.[8] In Canada, the song debuted at 100 on the RPM Singles Nautical chart on December 23, 1978.[9] The song began a slow climb, and after nine weeks reached a peak of 41 on the chart.[x] It was present for a total of 12 weeks on the chart.[11] In the United kingdom, "Dearest Don't Live Here Anymore" became Rose Royce's biggest hit, reaching ii on the United kingdom Singles Nautical chart while in Ireland it reached a peak of number seven.[12] [13] Across Europe, the song failed to chart except in Netherlands, where information technology reached eleven.[xiv] The vocal was successful in Commonwealth of australia and New Zealand also.

Track listing [edit]

  • 7" single (Warner)
  1. "Love Don't Alive Here Anymore" – 3:56
  2. "Do It, Do Information technology" – 4:09

Credits and personnel [edit]

  • Gwen Dickey – lead vocals
  • Norman Whitfield – producer, acoustic guitar
  • Paul Buckmaster – producer, piano, bass drum, LinnDrum
  • Miles Gregory – writer
  • Rose Royce – background vocals

Charts and certification [edit]

Jimmy Nail version [edit]

"Dear Don't Live Here Anymore"
Love Don't Live Here Anymore Jimmy Nail.jpg
Single by Jimmy Nail
from the album Take It or Go out It
B-side "Night for Twenty-four hour period"
Released April 1, 1985 (1985-04-01) [21]
Length 3:57
6:38 (12")
Label Virgin
Songwriter(s) Miles Gregory
Producer(due south)
  • David Richards
  • Roger Taylor
Jimmy Nail singles chronology
"Love Don't Live Hither Anymore"
(1985) 		"That'due south the Mode Love Is"
(1986)

English actor Jimmy Nail released a cover of the song in 1985 as the first single from his debut album Take Information technology or Leave It. The vocal was produced past David Richards and Queen drummer Roger Taylor, who also played drums on the runway along with Rick Parfitt, of Status Quo, on lead guitar.[22] Information technology was a hit in the UK where information technology peaked at number 3 on the Singles Chart.[23]

Track listing [edit]

7" (VS 764)

  1. "Love Don't Live Here Anymore" – 3:57
  2. "Night for Day" – 3:45

12" (VS 764-12)

  1. "Love Don't Live Hither Anymore" (extended version) – 6:38
  2. "Nighttime for Day" – 3:45

Personnel [edit]

  • Jimmy Nail – vocals
  • Roger Taylor – drums, synthesisers, arrangement, co-producer[24]
  • Rick Parfitt – lead guitar
  • Jo Burt – bass guitar
  • David Richards – co-producer, engineer
  • Jill Furmanovsky – photography[25]

Charts [edit]

I'g Talking version [edit]

"Dearest Don't Live Here Anymore"
I'm Talking - Love Don't Live Here Anymore.jpg
Unmarried by I'm Talking
B-side "Weep Me a River"
Released Baronial 26, 1985[29]
Studio AAV Studios, Melbourne
Genre Pop rock, Synth-popular
Length iv:29
Label Regular
Producer(s) I'm Talking, Ross Cockle
I'one thousand Talking singles chronology
"Lead the Style"
(1985) 		"Love Don't Live Here Anymore"
(1985) 		"Do You lot Wanna Be?"
(1986)

Australian band I'm Talking covered the song and released it as the B-side on the 12" unmarried "Lead the Mode", before releasing information technology as an individual unmarried in August. The song peaked at number 21 on the Australian Kent Music Report chart.

Track listing [edit]

7" Unmarried (Yard 9817)
  • Side A "Love Don't Live Here Anymore"
  • Side B "Cry Me a River"

Charts [edit]

Madonna version [edit]

"Love Don't Live Here Anymore"
Madonna - Love Don't Live Here Anymore.png

Artwork for the 1996 single release
Unmarried by Madonna
from the anthology Something to Remember
B-side "Over and Over"
Released March nineteen, 1996
Recorded 1984
Studio Ability Station Studio (Manhattan, New York)
Genre Pop
Length
  • 5:08 (on Like a Virgin)
  • iv:54 (on Something to Recollect)
Characterization
  • Sire
  • Warner Bros. (1984)
  • Bohemian
  • Warner Bros. (1995)
Songwriter(s) Miles Gregory
Producer(south)
  • Nile Rodgers
  • David Reitzas
Madonna singles chronology
"One More than Take a chance"
(1996) 		"Love Don't Alive Here Anymore"
(1996) 		"You Must Dear Me"
(1996)
Music video
"Love Don't Live Here Anymore" on YouTube

Background [edit]

Madonna had originally covered "Love Don't Live Hither Anymore" for her second studio album, Like a Virgin (1984). The idea to cover the song originated from Michael Ostin, the head of the A&R section of Warner Bros. Records.[31] In author Warren Zanes book Revolutions in Audio: Warner Bros. Records, the First 50 Years, he recalled:

"I had the expert fortune of finding material that Madonna really responded to, 'Love Don't Live Hither Anymore' for example, which was the old Rose Royce record. I was driving into piece of work one day and heard it on the radio, I called producer Nile Rodgers and Madonna, they were in the studio. I said, 'I have an thought,. You lot know the former Rose Royce record, 'Dear Don't Live Here Anymore'? Why don't you try and record a version of it for Like a Virgin?"[31]

Initially both Rodgers and Madonna were humble of tackling an already well-known carol, but in the final minute they decided that if Madonna wanted to bring diversity to the album, there could be no better vocal than "Love Don't Live Hither Anymore".[31] Co-ordinate to Rodgers, although Like a Virgin was mainly driven by Madonna, he was instrumental in adding "Love Don't Live Here Anymore" to the track listing.[32] The song was a favorite of Madonna, so when in 1995 she released the carol compilation album Something to Recollect, she included a reworked version of "Honey Don't Alive Hither Anymore" produced by David Reitzas. The version was released as the second single from the anthology in North America and the third single in Europe and Australia.[33] The original 1984 release was included in the 1996 Japanese box set CD Unmarried Collection on 3" CD single and includes the track listing from the 7" vinyl version.[34]

Limerick [edit]

Madonna's version of the song begins with the sound of acoustic guitars and synth strings. Madonna's voice sounds loftier-pitched, eluding the deeper resonance of the tune.[35] After the first verse, Tony Thompson starts playing the drums, which moves forth the rhythm of the song. Towards the terminate, Madonna sings the song similar a soul singer and the song ends with a gasp of breath.[35] The song was recorded at Power Station Studio in Manhattan, New York. Rodgers recalled: "Madonna had never performed with a live orchestra before. I was very much into doing everything alive, so I merely said, 'Madonna, you go out there and sing and we will follow yous.' At commencement Madonna was hesitant, but the live setting ended up producing memorable results. She sang and she was overcome with emotions and she started crying, but I left it on the record."[36]

The 1995 remix on Something to Retrieve begins with the sound of violins and Uilleann pipes, followed by Madonna beginning the first verse. As the song progresses, the sound of the violin fades in and the drum machine starts, and the pianoforte is played along with it.[37] As the chorus is sung the tertiary time, a bass drum is also added in the flow. The violin once more fades in as Madonna sings "Through the windmills of my centre, Anybody can run across the loneliness inside me." Near the stop, she utters the chorus a number of times, emphasizing on the word "anymore" and the phrase "live here anymore".[37] Information technology ends with the Uilleann pipes fading out.[37] The song was also treated with remixes which were released on promotional 12" and CD singles on May vi, 1996.[38] SoulShock & Karlin provided an R&B styled remix while Marcus Schulz created a firm remix which paired Madonna's voice with an energetic beat, coupled with vibrant organ lines and blipping synth furnishings.

Disquisitional response [edit]

Author Rikky Rooksby wrote in his book The Consummate Guide to the Music of Madonna that Madonna'southward singing in the vocal "deserved a commendation for bravery and was a sign that she was going to set herself challenges".[39] Stephen Thomas Erlewine from AllMusic, while reviewing Like a Virgin, wrote that the cover of the song was "well worth hearing".[40] Debbie Bull from Rolling Stone, meanwhile, opined that "her torchy ballad 'Love Don't Live Here Anymore' is awful".[41] Larry Moving-picture show from Billboard complimented both the versions of the song, calling the start version "a lush slice of symphonic pop", and the other an "quondam-school, jeep-soul cruiser. Both arrangements perfectly suit her song, which is rife with emotional belts and theatrical gasps. [...] David Reitzas cord-laden version will delight those who never got plenty of the previous single 'You'll Encounter'. The bottom line is that this volition probable be another smash for an creative person whose stock as a apparent musical entity deservedly rises with each release".[42] He also complimented the dance remixes of the song, saying that "when combined, [Marcus Schultz firm remix] keyboard lines add upward to a very pastel, tea-dance ready twirler. His five mixes lean largely towards the centre of the gild road".[38] Damien Mendis from Music Calendar week's RM Dance Update rated the song four out of five.[43]

Liz Smith, while reviewing the Something to Recall album in Newsday, felt that all of Madonna's vocal trainings that she received while shooting for the picture Evita, had "paid off, because the La Thousand's second single sounds wonderful, and is a step upwards from the previous haunting 'You'll Encounter'".[44] Dorothy Holmes from Telegram & Gazette said that "'Love Don't Alive Here Anymore' sounds like her perfect adult contemporary staple".[45] Slant Magazine 'south Paul Schrodt wrote it was "among Madonna'southward more faithful covers [...] shed to the limits of her vocal range, she wisely relies on a tearful, angsty rock commitment as the rails builds and the strings undulate, until she'south literally panting for breath".[46] Writing for The Baltimore Sun, J.D. Considine highlighted Madonna'due south "soulful intensity" on the song.[47] From the Dallas Observer, Hunter Hauk deemed it "one of those Madonna ballads that, when you actually examine it, is sung quite terribly. Just information technology withal works".[48] Dennis Hunt from the Los Angeles Times opined that "someone with such a flimsy vocalism shouldn't exist singing a sensitive ballad like 'Dearest Don't Alive Here Anymore'".[49] Entertainment Weekly 's Chuck Arnold noted that "her best [cover] came early with her soul-deep take on this Rose Royce carol".[l] Medium's Richard LaBeau pointed out that it was one of Madonna's "rare but intriguing and largely successful foray into remakes".[51]

Nautical chart performance [edit]

In the U.s.a., "Love Don't Live Here Anymore" debuted at the height of the Bubbling Under Hot 100 Singles, a position comparable to 101 on the main Billboard Hot 100.[52] After two weeks, it debuted at 91 on the Billboard Hot 100, becoming Madonna'due south 36th entry on the chart, and her outset entry with a remake of someone else'southward single.[53] The song ultimately reached merely a superlative of 78, and was present for only eight weeks on the chart.[54] [55] On June eight, 1996, the vocal was 1 of the breakout tracks for the Hot Trip the light fantastic Music/Club Play nautical chart.[55] It debuted at 39 on the chart and reached 30 the next calendar week, becoming the Ability Choice song of the chart.[56] [57] Information technology ultimately reached a top of 16 on the chart.[58] It debuted on the Hot Adult Contemporary Chart at 30, and reached a peak of 29, the next week.[59] On the Radio & Records Pop nautical chart, it peaked at 44.[60] In Canada, the song debuted at 99 on the RPM Singles Nautical chart, on May half-dozen, 1996.[61] After viii weeks, the song reached a meridian of 24 on the chart.[62] It was present on the chart for 12 weeks.[63] Across Europe, the song charted in France at 48, and also reached 27 in Australia.[64]

Music video and alive performance [edit]

Madonna performing the mashup of "HeartBreakCity" and "Beloved Don't Live Hither Anymore", during the Insubordinate Heart Tour (2015–16)

The music video which makes utilise of the Soulpower Remix was directed by Jean-Baptiste Mondino who worked with Madonna in her videos for "Open Your Heart", "Justify My Love" and "Human Nature" and shot on March 4, 1996 at the Confitería del Molino in Buenos Aires, Argentina, during her day off from filming Evita.[65] Maria Gallagher was the producer, with Jean-Yves Escoffier serving as director of photography. Information technology was a Bandits Production.[66] In her Evita diaries, published by Vanity Fair mag in 1996, Madonna made reference to the video shoot. In her writings, she specifically mentioned forgetting the lyrics of the vocal, suggesting she was having an identity crisis of sorts, trying to juggle her own identity with that of her role of Eva Perón in Evita.[65] Madonna was too in the early stages of her pregnancy with daughter Lourdes while making the video. Hence, she felt swell stress while shooting it, which led her to forget the lyrics.[67]

The video features Madonna at the empty suite of an abandoned hotel, a like setting to her "Like a Virgin" music video. It was shot in a unmarried frame, with the camera approaching Madonna, as she stands backside a pillar. She rotates around it and sings the song, as air blows through the room.[68] The video ends with Madonna looking up towards the photographic camera the last time, and so closing her eyes. It was treated with sepia color.[68] Carol Vernallis, author of Experiencing music video: aesthetics and cultural context felt that the video was a expert instance of how epitome can direct the viewer's attention towards the shift in instrumentation and arrangement of the song. She noted the bumming movement of the camera towards her as "bringing focus to the master subject, with the viewer's attention fully captured."[68]

A mashup of "HeartBreakCity", a track from her 13th studio album Rebel Heart, and "Love Don't Live Here Anymore" was performed on Madonna'due south 2015–xvi Rebel Center Tour. It began with the singer dancing with a male redundancy dancer as she sang "HeartBreakCity"; then, she chased him upward a long spiral staircase and pushed him backwards before merging into "Dear Don't Alive Here Anymore".[69] Erik Kabik from The Las Vegas Sun, praised the performance for its simplicity.[lxx]

Charts [edit]

Other versions [edit]

An instrumental cover was recorded by the U.k. jazz-funk duo Morrissey–Mullen at EMI's London Abbey Route Studios in 1979 and was EMI's first digital recording to be made of a non-classical ensemble. It was released every bit the first of the EMI Digital serial in a limited edition 12" single.[79]

A reggae version, recorded past vocalist Sharon Forrester and arranged by Boris Gardiner, was released in 1979.

British trip the light fantastic toe music producers Double Trouble released a version of "Love Don't Live Here Anymore" as a single in 1990. Their arrangement had the vocals mixed over a house-influenced backing runway. Information technology reached No. 21 on the U.k. Singles Chart[lxxx] and No. 11 in New Zealand.

A reggae version was released in 1997 by dancehall artist Bounty Killer and Swedish vocalist Robyn.[81]

Organized religion Evans recorded information technology on her 1995 album Organized religion.[82]

Seal released a version of the vocal in 2011 on his Soul 2 anthology.

American hardcore punk band Lionheart named their quaternary and final album afterward the song, released in 2016.[83]

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Bibliography [edit]

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Source: https://en.wikipedia.org/wiki/Love_Don%27t_Live_Here_Anymore

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